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Hier schreiben Wissenschaftler*innen der Universität Oldenburg und Gastautor*innen darüber, wie sich Gesellschaften selbst wahrnehmen und thematisieren, sich ihrer jeweiligen Gegenwart vergewissern und dabei in die Zukunft entwerfen.

Wie stehen diese Selbstwahrnehmungen und -entwürfe mit Institutionen, Medien und Techniken zur Gestaltung von Natur, Gesellschaft und Subjektivität in Verbindung? Wie modellieren sie den lebensweltlichen Alltag und halten Menschen zu einem bestimmten Verhalten an? Wie werden diese Interventionen in das Gegebene begründet und legitimiert, aber auch kritisiert, verworfen oder unterlaufen?

Diesen Fragen, deren interdisziplinäre Reflexion eines der zentralen Anliegen des Wissenschaftlichen Zentrums „Genealogie der Gegenwart“ ist, gehen die Blogger aus unterschiedlichen Fachperspektiven und Tätigkeitszusammenhängen mit Blick auf kontrovers verhandelte Themen wie Migration, Ungleichheit, Digitalisierung, Kriminalität, Gesundheit und Ökologie nach.

21.06.2022
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Viewers had been invited to build any sort of relationships it desired anywhere between these arbitrarily conjoined product

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Then he charted how he or she is exploring the increasingly direct synchronisation out-of voice and you can photo of the hooking up their computer bass finishes to one-area laser, estimated because of cig as the a number of violently clipped-out of alterations in shape and you will mode

Within the festival fulfilling with the Voice and you may Picture, Stump-Linshalm provided Christoph Herndler’s fabulous black-and-white motion picture Streifund, der Blick (Sliding, a peek) to which the fresh new duo starred a bring-sawing gang of of-secret colour and you will gaps that have electronics, followed closely by personal-up video footage out of a hand constantly, painfully and lovingly rubbing most of the skin of a classic, abandoned house-cobwebs, dirt and you will paint shedding regarding the hands.

The actual superficiality of sound and visualize matchmaking authored an enthusiastic unbounded area to own apply to, satisfaction and translation

Bruce Mowson’s setting up Melting Moments is actually various other satisfying treat. A few screens for every exhibited about three molds set within each other (about three rectangles on one display, and two circles within the a beneficial rectangle on the other side) bicycling due to fluorescent prevents of the colour, if you are a series of sustained hues, mostly on the higher trout sign in and you will mids, suffused the space, complemented because of the hissy sonic material and therefore accumulated and you may receded. Visually, this was Op-Artwork rendered since the cellular, video clips candyfloss. Mowson told me within his speech within appointment that Melting Times geared towards a detachment ranging from voice and you can image. Even if both sonics together with design slowly progressed and changed, both was indeed haphazard and you can did not bring about one another.

WAAPA’s Cat Vow reminded us how very early testing in the ultra-low-frequency film score occurred in cheesy disaster movies such as for instance Quake. Darren Jorgensen demonstrated new scrambled testing entirely on Nurse That have Wound’s Sylvie and Babs because Surrealist-you can hear and interpret they permanently correctly because it has no structure. I tried so you can enunciate a separate rhetorical strategy for discussing sound art, not in the common terms of immersion, depth otherwise an infinite number of layers, but rather while the exactly what Siegfried Kracauer known as “size ornament”-a beneficial machinic build and therefore sooner relates back once again to its very own shallow factors, in place of promoting Intimate depth.

Robin Fox given the real history off shared voice and you can visualize devices, and nineteenth millennium body organs linked to shelving out of container various coloured liquid illuminated by candlelight. Fox’s live performance virtually shook the building and you may riddled they that have environmentally friendly, pinprick shafts.

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